Saturday, April 14, 2012

More Writing Tips

Fast Writing Can Be Great Writing

'Some of the best things I’ve ever read were cobbled together on deadline. I’ve read overnight obituaries of people who died unexpectedly that crystallized their lives more eloquently than pieces written months after the fact. I’ve read editorials about historical tragedies written within hours of their occurrence that fix my tangled feelings like an emotional snapshot.

These pieces are great not in spite of the fact that they were written quickly, but because of it. Writing fast means writing on instinct. When you write on instinct you can’t do much second-guessing or revising. You have to give up your inhibitions and let your fingertips dance on the keys. Sometimes the result is gibberish. But other times it’s better than you would have done if you’d had more time, because it comes from a pure place. The core of your being — the deep self that emerges during sports, dream-sleep, and sex — stands up, cracks its knuckles, and tells the conscious mind, “Move over, kid. I’m driving.”'

 - Matt Zoller Seitz, Vulture 

Friday, April 13, 2012

Vonnegut Tips

These seem to me to also be excellent policies/suggestions for a dramaturg.

Kurt Vonnegut's 8 Tips for Writing Stories


1.          Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2.          Give the reader at least one character he or she can root for.
3.          Every character should want something, even if it is only a glass of water.
4.          Every sentence must do one of two things-reveal character or advance the action.
5.          Start as close to the end as possible.
6.          Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of.
7.          Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8.          Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Original article found on Brainpickings.org (includes video).




Tuesday, March 6, 2012

New Dramaturgy

I'm working on a presentation on Dramaturgy and on Adaptation - so naturally, I found an absolutely amazing article just after finishing the power point.

It's brilliant (I'm an admitted Hans-Thies Lehmann fangirl, but this really is good!): http://193.146.160.29/gtb/sod/usu/$UBUG/repositorio/10310536_Lehman.pdf

If that link doesn't work, look for 'Dramaturgy on Shifting Grounds' by Hans-Thies Lehmann and Patrick Primavesi. It was in the January 2010 issue of Performance Research, just a short little article - and I think it's starting to open up for me ideas on how the development of dramaturgical practice is feeding into development of dramaturgy (theatrical dramaturgy, anyway) theory!

Good times.